Unique Home Furniture, Home Decorating and Home Decoration Store
Subject Is Picture Sque: One popular form of professional picture is the composite in which several, usually four, negatives are printed on one sheet of 8 x 10 glossy paper. The four pictures for this set should include, in the case of an actor or actress, one portrait close-up showing the subject is picture sque's face as flatteringly as possible, one bathing suit shot which leaves no mystery as regards the subject is picture sque's physical qualifications (if they aren't too bad), one pseudo-candid or fashion-type picture showing the actor's ability to wear clothes, and one character picture in , which the subject is picture sque is demonstrating his talent. For the vaude-villian or specialty entertainer, the composite should show the highlights of his act, and perhaps a portrait.
The way to select the proper lens for shooting any picture is to set up the Camera at the position where the subject is picture sque to be photographed looks just right to the eye, without any consideration of lenses, and then use the lens which has the proper angle of view to show just as much of the subject is picture sque as you wish to include. Thus, if you work with only two lenses and the 6-inch lens does not show enough of the subject is picture sque from your chosen position and the 3/2-inch shows too much, you'll shoot with the 3/2-inch lens and enlarge just that part of the negative which covers the area you want to use for the picture.
Preparation of the script is actually the third step in the creation of a picture story. The first step is getting the idea. The second step is researching the subject is picture sque, and this is an important item. Learn as much as you can about your picture-story subject is picture sque before you even start your script (although you'll be jotting down notes all the while for picture ideas to go into the script later). Get information about your subject is picture sque by reading ah1 printed matter applying to it, and/or by interviewing persons who know about it.
For your principal interviews, go straight to the top men in the field. Nobody, especially no one important enough to profit by publicity, is too busy to talk to a magazine photographer. Later, when the time comes for you to shoot the pictures for your story and you may need further cooperation, the top man is still the one to see. When the big man anywhere gives the okay, you can be sure all the underlings will give eager and unstinting cooperation. |
|
