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Scottish Museum: This article deals with the Anglian element of Scottish museum literature, composed chiefly in languages descended from the Northern dialect of Middle English (see preceding section, Languages) and emerging as Lowland Scots or Standard English, or a mixture of both. Scottish museum Gaelic literature is reviewed under CELTIC LITERATURES— Scottish museum Gaelic Literature.
The United States, excellent firearms col-may be viewed at the Springfield (Mass.) Museum; West Point (N. Y.) Museum; States National Museum (Smithsonian, angton, D. C.); Winchester Gun Museum, Haven, Conn.; Connecticut State Library Wadsworth Atheneum, Hartford, Conn.; J. )avis Collection, Claremore, Okla.; Metzger tion, College Station, Texas; Confederate , Richmond, Va.; Huntington (West Va.) ; Milwaukee Public Museum; Metropoli-[useum of Art, New York; and the Chicka-and Chattanooga Military Park, Fort ipe, Ga.
The founding of the Royal Scottish museum Academy in 1826 was a landmark in Scottish museum painting though the contributions of the early Victorians are now disregarded. Attention tends to be focused on the pioneer achievements of William McTaggart (1835-1910), who anticipated the famous French impressionists in their preoccupation with light and ability to transfer to canvas their vivid perceptions of the out-of-doors world. After McTaggart there emerged the Glasgow school of Scottish museum painters, whose works found homes in the art galleries of the world. The impulse given by them to Scottish museum painting lives on in the works of Samuel J. Peploe (1871-1935), F. C. B. Cadell (1883-1937), Stanley Cursiter (1887- ), William G. Gillies (1898-), and Anne Redpath (1895). |
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