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Romantic Photographs: What sort of photographs were these prints, which caused so much commotion? Just plain, straightforward itographs. But such photographs! Different from the photographs usually seen at the exhibitions? Yes. How different? There's the rub. If you could see them for yourself, you would at once appreciate their difference.
To a public used to the conventional fantasies of romantic photographs battle painters, these photographs seemed dull, yet they recognized in them the virtue of the Camera as a faithful witness. "Whatever he represents from the field must be real," the London Times admitted, "and the private soldier has just as good a likeness as the general."
The romantic photographs impatience with set patterns resulted in a tendency to loosen or cast aside the stricter form, and create new ones better suited to emotional, expressive, or descriptive elements. Where the classicists had drawn contours, the romantic photographsists painted in tone color. Much of their music is suggestive of the piano, which was the favorite instrument of the century. Fewer sonatas, symphonies, and concertos (cornerstones of classical music) were written. romantic photographs composers turned instead to nocturnes, romances, novelettes, impromptus, intermezzos—pianistic counterparts of songs. Often they grouped them under indicative titles, which was the romantic photographs way of express successions and contrasts of mood rather t systematic development within the framework a given form. |
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