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Camera Magazine: First, what about a Camera Magazine? Any Camera Magazine which will produce negatives which can be enlarged to a decent 8 x 10 print will do the job, but there are plenty of good reasons why the favorite tool of an overwhelming majority of magazine photographers is a twin-lens reflex such as the Automatic Rollei-flex. In addition to a Rolleiflex, or perhaps two or three of them, it is common for the magazine photographer to have also a view Camera Magazine and a 35mm. Even the Rolleiflex will not do all the things as well as some of the other Camera Magazines.
Such, however, is not the case. It is true that magazine work has attracted some of the keenest, most sensitive and most capable Camera Magazinemen of our time. Magazine photography can be the most spectacular, most varied, most challenging and most satisfying of endeavors. The true Camera Magazine artist can find more opportunity, more scope for his ability in magazine photography than elsewhere, and more appreciation for his success when he produces pictures which are out of the ordinary.
The best training a beginner can get, in fact, is that he can give himself by practicing Camera Magazine coverage of all kinds of events, whether or not he has the slightest hope of selling the pictures. Take your Camera Magazine to a picnic, cover the event in a fare-thee-well, magazine style, in the Life-Goes-to-a-Party manner. Make it a point to use the various Camera Magazine techniques which give change of pace to a picture set: |
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